"Through my paintings, I strive to challenge traditional depictions and propose a new visual language that embraces diversity and complexity."
Meghan's Instagram: @meghan.josephine
How and when did you know you wanted to be an artist?
I came to art through pain. Diagnosed at sixteen with chronic fatigue syndrome, I faced immense physical and emotional challenges. During this difficult period, I was gifted my first set of paints, and that marked the beginning of my artistic journey. Painting became a way to express my inner turmoil and find solace. Over time, it evolved into a profound love affair with art. Now, there is rarely a day that I’m not sketching or painting. Art has become an integral part of my life, a means to process my experiences and communicate my perspectives on the world.
What was your experience of art school?
The highlight of my art school experience was I gained a scholarship which allowed for my semester abroad in America at the Maryland Institute College of Art. This period was transformative, as I had the opportunity to learn from some of the most incredible tutors and immerse myself in an intensive learning environment. It was during this time that I was deeply affected by the overturning of Roe v. Wade. The palpable sense of loss and outrage over women's rights being stripped away was both inspiring and heartbreaking. This experience profoundly influenced my practice, compelling me to address issues of gender and societal norms more fervently in my work. The exposure to diverse perspectives and the intense focus on artistic development during that semester shaped my approach to art and solidified my commitment to using my work as a platform for advocacy.
Can you tell us more about the ideas and inspiration behind your work?
Pain is a significant contributor to my work, shaping my understanding of the balance between self and others, human connections, and issues of gender and sexuality. My personal experiences with chronic fatigue syndrome and the societal objectification of my body have fueled my desire to explore these themes in depth. Additionally, the repetitive loss of women's rights worldwide, from America to Afghanistan, drives me to create art that fosters meaningful conversations about female experiences. I aim to include a diverse range of voices in my work, highlighting the complexities and nuances of women's lives. My research, which spans historical and contemporary sources, informs my art by creating a dialogue between past and present gender narratives. Through my paintings, I strive to challenge traditional depictions and propose a new visual language that embraces diversity and complexity.
Are there other artists or movements that have inspired your work?
Figurative painters have always spoken to me, particularly the way they transcribe flesh and communicate social issues through the representation of people. I am inspired by artists who introduce deeper messages through their compositions, using the human form as a vehicle for social commentary. Many artists and movements influence my work, from Baroque to Renaissance, Impressionism, Surrealism, and contemporary art. Currently, I am inspired by the works of Paula Rego, Cecily Brown, Michael Armitage, Tasfaye Urgessa, Christophe Ruckharble, and Carmen Calvo. These artists challenge traditional norms and offer fresh perspectives on the human condition, which resonates with my approach to art. Their ability to blend technical skill with profound thematic exploration inspires me to push the boundaries of my own work.
Can you describe a typical day in the studio? How do you approach your work?
I’m very much a night owl when it comes to painting, finding the quiet of the night conducive to my creativity. During the day, I engage in activities that prepare me for my night-time sessions. I sketch, read, and prep canvases while brainstorming and planning my next projects. Currently, I'm reading "Art Monsters" by Lauren Elkin, which provides additional inspiration and context for my work. When night falls, I immerse myself in painting, allowing the calm and stillness to fuel my artistic process. My approach to work is both methodical and intuitive; I draw from my research and personal experiences to inform my compositions while allowing the spontaneous flow of creativity to guide my brush. This balance between preparation and improvisation helps me create art that is both reflective and dynamic.